Charles Perrault’s “La Belle au bois dormant” (literal translation “the Beauty sleeping in the wood”) is a bizarre little tale. Some people might find Walt Disney’s adaptation of the story as soporific as the curse upon Aurora, but at least it has narrative consistency. So many of the things that happen in Perrault’s story leave (modern) readers scratching their heads, and that’s on top of the hefty dose of terrible messages for women, something that didn’t come as a surprise after I read the 17th century Frenchman’s take on Cinderella. Up until the point of the teenage princess’ pricking of … Continue reading →

After the phenomenal success of “The Lion King” 3D release, plans have resumed to bring “Beauty and the Beast” back to theaters – in 3D of course. Years ago Disney talked of bringing the Oscar-nominated film back to theaters in 3D, but things never coalesced. For reasons known only to Disney execs, “The Lion King” was instead chosen as the first Disney film to get a 3D makeover. It was a wild success, with the nearly 20-years-old movie topping the box office for weeks ahead of brand new films. With that resounding victory under their belts, now Disney execs have … Continue reading →

Glen Keane announced over the weekend that he’s leaving Disney Animation. Most of us probably don’t know who Glen Keane is, even if we’ve seen his name dozens of times while idly watching the ending credits of many Disney movies. I only know him because my work on this blog has motivated me to watch and pay more attention to behind the scenes Disney films and featurettes. Keane has been an animator at Disney for around forty years. He arrived in the 1970s, in time to be mentored by Eric Larson, Frank Thomas, and Ollie Johnston—members of the old guard … Continue reading →

The original Rapunzel has little voice. Her own story is named for her, but she has next to no agency within it. Her prince doesn’t fair much better; like many princes in fairy tales though he has a bit more control over his destiny he doesn’t appear important enough to earn his own name. “Tangled” changes all of that. Disney’s latest movie, which has the distinction of being the 50th full-length animated film to come from the House of Mouse, is probably not the first to deepen the characters of the Rapunzel myth’s two leads. But it’s the best I’ve … Continue reading →

One of my recurring columns highlighted “Newsies” as a woefully underappreciated Disney film. Some critics thought the songs were flat but I vehemently disagree; Alan Menken composed the score and I knew some people who hated the film but conceded the quality of the soundtrack. Now “Newsies” might finally get a real shot at the popularity it deserves. Sure, it enjoys a strange sort of cult status amongst girls who discovered it when they were 14 or so (like me), but I think a stage version of the musical gives it a chance at some critical acclaim. According to Moviefone’s … Continue reading →

On Monday I introduced the concept that the stereotypical images presented by the leading men in Disney films might have a harmful impact on young boys’ growing ideals. I suggested that many of the main male characters in Disney films are one-dimensional and teach boys that good looks and martial prowess are essential facets of the ideal man. We need to look at the overall image the Disney princes/men present to young boys. Most of them are princes, and even those who aren’t are still handsome, dashing, and masterful in a fight. So that’s the sort of men boys think … Continue reading →