We always think of the Grimm fairy tales as darker than their Disney updates, and for the most part that is true. But in reading and watching the two versions of “Snow White” together, I was surprised to find they’re not that much different. The Evil Queen asks for Snow White’s heart as proof of her death in both stories, though at least Disney withholds the part where she proceeds to consume the organ to symbolize her triumph over her enemy. However, one could argue the Disney film is darker than its source for a different part: the fate of … Continue reading →

Charming is one word that we could apply to just about any Disney animated film, and even though 1953’s “Peter Pan” certainly is that, it’s devoid of charm when compared to the play/novel on which it was based. One of Walt Disney’s greatest strengths was his ability to take an older story and reinvent it for modern audiences. Doing so for “Peter Pan,” however, just replaces what is a wry and sweet sense of humor with silly slapstick, which seems cheap in comparison. A primary reason why Barrie’s book, and presumably his play, is so charming is its witty, very … Continue reading →

Six months ago I profiled Chernabog in my Halloween list of the most frightening Disney moments. Chernabog is a Slavic deity; not much is known about him, but as Christian traditions took over the pagan ones in Europe he was seen as a black god, even sometimes associated with or as the devil. The Night on Bald Mountain sequence from “Fantasia,” which contains Chernabog, is according to the conductor who introduces the segment set on Walpurgis Night. I’d never heard of Walpurgis Night, or at least it never registered as I watched “Fantasia,” so I thought I would research it. … Continue reading →

Charles Perrault’s “Cinderella,” the particular version of the story adapted by Walt Disney, is another fairy-tale-as-morality-lesson. Disney ditches The Brothers Grimm when he makes “Cinderella;” even more strangely the credits cite Perrault’s story as the “original,” when in fact the rags-to-riches trope is an ancient and global motif. Even ignoring that the Brothers’ Grimm version predates Perrault’s. The reason I’m so fixated on the issue of adaptation is because I found Perrault’s “Cinderella” odious. The main moral (which cannot be mistaken; the end of the story is followed by an explanatory poem titled “Moral”) is that it doesn’t really matter … Continue reading →

This is the story of a guy called John Carter. He’s a protagonist from a series of Edgar Rice Burroughs science fiction novels. The first is called “The Princess of Mars” because the book is as much about Dejah Thoris, the titular princess, as it is about Carter. Today Disney releases its adaptation of the book, called “John Carter.” Wait, what? “John Carter” sounds like an Oscar-bait movie about an unassuming middle management guy who has a mid-life crisis and learns the meaning of family, or something like that. It definitely doesn’t bring the genre “space epic” to mind. So … Continue reading →

“Bambi, A Life in the Woods” was published by Austrian Felix Salten in 1923. It topped bestseller lists in Europe and received an English translation five years later. In 1933 MGM studios purchased the film rights to the book, hoping to make a live-action version. They decided that the logistics for such a production were insurmountable, however, so they sold the rights to Walt Disney in 1937. Disney loved the book. He was excited to make his first adaptation of a recent work, and had plans to turn the novel into his second feature length animated film. However, he realized … Continue reading →